Many years ago I went to a Hula workshop where the Kumu presented us with an interesting concept. Instead of giving us the usual definitions for the steps, he talked about how we might interpret those steps and relate them to natural elements. In other words, a Kaholo is not simply a step that consists of four counts: step, together, step, tap. Instead, he said, when we dance Kaholo we visualize the “vastness of the ocean and how we swiftly travel this vast expanse of water.”
Unfortunately, I’ve forgotten the workshop and the Kumu’s name but this idea left a lasting impression on me. When I Kaholo, I imagine stepping up to where the tide is just coming in and stepping softly and swiftly so as not to disturb the waves. This visualization translates to the way I dance. My dancing is an outward expression of my inner motion. The feeling I get from the lyrics and music becomes not just a feeling but a true movement sensation. This process is an absolute privilege of Hula.
When we are running through familiar songs in class, I can easily be transported. Depending on the song, I might be at Waimea Canyon, the Na Pali Coast, or Hanalei Bay. That ability is a special joy of Hula—a side-effect not often mentioned. Find your inner motion it will make you a better dancer but more importantly, it will make your spirit soar. That is So..Hula.